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I have a bunch of genuine (ITYIIWL) questions about this, as I am not a fat author and don't know how this process works:
- his agent is doing rewrites? Isn't this the job of an editor? Doesn't the agent focus on big picture plot things and making a story more marketable?
- Don't you go over things (concept, plotting, marketability) with your agent prior to and during writing? Why would an agent wait until it's already been written to give a bunch of notes? Following that, wouldn't an agent's notes after it's been fully written always be light? The time to give extensive notes/suggestions is before it's been written.
- If Pat's agents "rewrites" were "light", why would he only be able to process 10 pages per day? If I wrote a 200 page, satirical pile of shit, and my agent's notes were "light", I would be able to crank through them all in a weekend. This whole fucking book shouldn't have taken him more than a month to write, now he's taking that long just to process his agent's "light" notes.
- Assuming I'm wrong and that it is typical for an agent to give a bunch of notes after the book has been written, wouldn't you be insulted if your agent gave you a "pretty light" amount of notes? Anything you ever hear about writer-agent and writer-editor relationships, it's always combative and the writer has to fight them to keep things in. Pat's agent is barely skimming his books and providing very few notes and he thinks it's a good thing.
- How is Pat so fat and ugly?