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This guys continued career in this social climate is fucking astounding. How does he do it? Does he have blackmail on people?
Because he fucking delivers. He puts butts in seats and makes money. And we all know the Jews love money and free press more than they care about antisemitism.
Mel "I only fuck 10s and never pull out" Gibson.The billion dollar John Wick franchise? I'm pretty sure Mel Gibson is bigger than that.
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Cope and seethe, Wickfags.
I love this bastard more than I love my father. I wish I were kidding.Mel "I only fuck 10s and never pull out" Gibson.
No, little sweetie. No one gives a fuck about this film besides the fact Mel got a mainstream gig. Hush now and wait quietly for my penis to impact your puckered dark asshole.Jesus, you guys are fucking dense. John Wick is going to be Woke shit (like every other fucking movie to come out in the last 7 years has been) and Mel is being used for what he's been used for since 2004 or so, (i.e. bait for a certain demographic who stupidly believes he'd actually be allowed to work if he actually called out the Jew).
Have you idiots forgotten Dragged Across Concrete? It's about a boomer who dies because of his inability to fully trust and embrace the direction dictated by the black man. The black man goes onto be the true "lion hunter". It also comically begins with an interracial sex scene.
Daddy's Home 2 didn't do it for you?No, little sweetie. No one gives a fuck about this film besides the fact Mel got a mainstream gig. Hush now and wait quietly for my penis to impact your puckered dark asshole.
I enjoyed DAC but not as much as the director’s other two films. My biggest criticism would be the Henry Rollins style dialogue in it. Are you gonna finish that egg white breakfast sandwich, amigo? Because when this opera ends, the fat lady will be taking a siesta. Mel was great in it though. I agree with you that the black guy was unrealistic but to me it's nothing more than “John Wick” type entertainment anyway. The soyboy dad who sends his baby's momma to work to get her head blown off is worth the price of admission alone.Have you idiots forgotten Dragged Across Concrete? It's about a boomer who dies because of his inability to fully trust and embrace the direction dictated by the black man. The black man goes onto be the true "lion hunter". It also comically begins with an interracial sex scene.
[MEDIA=youtube]6SsrDlGsKe0[/MEDIA]I love this bastard more than I love my father. I wish I were kidding.
BABY CHILD you clearly didn't pay attention to Daddy's Home 2. Because if you did, you would have seen, the important part towards the end that tied the whole film together. Sshhhhhhh.Daddy's Home 2 didn't do it for you?
Amazing how they're worried about Mel's comments, but not that these films are produced by jews that literally fuck children up the butt."Loses some goodwill?" These movies go through investment rounds, financing, and are insured six ways to Sunday. They have financial targets, legal reviews, production timelines, project plans, resourcing models, procurement, and a shit ton of other business activities. A movie is a massive project the same way migrating to Azure is a project. People are invested and will crack skulls if it misses the mark.
If their research said Mel was a risk to project completion or wouldn't draw enough to justify his contract, they wouldn't use him, period.
People act like these low visibility hit pieces have a meaningful impact. In reality, it's akin to Rick Tomlinson trying to take down Exxon Mobil.
I watched the first 2 but they are nothing more than popcorn flicks.Isnt the whole thing about John Wick it's kinda mindless but fun action? What sort of people wants a spin off? It's not like the story is anything other than paper thin to get you from one fight to the next.
I'm kind of getting a "payback" vibe from the castingI fucking love the first movie. It's not deep in story, but it works. Just the right pacing can do that. Plus, the ideas floated about the underworld of killers is played just right enough to be very interesting.
2 and 3 are utterly stupid. But I love the action scenes, so I watch the damned things anyway.
They've been trying to get the concept of The Continental, which is the hotel for killers, and by proxy the concepts of the codes they follow in their profession, off the ground for several years. All the detractors online, they can whine all they wish - the casting fits. The heads of Continental and the High Table on film have been Ian McShane, Angelica Houston, and Franco fucking Nero. Mel works for something like this.
I'd watch it. Probably dumb as Fuck, but so is John Wick and I cop to liking that.
I'm kind of getting a "payback" vibe from the casting
Have not seen the original. The Gibson version came out when I was in my early teens and no idea it was a remake.If it's the original Payback, the Straight Up Directors Cut, in tone, that's great.
Have not seen the original. The Gibson version came out when I was in my early teens and no idea it was a remake.
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