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Bring something to the table you talentless faggots!

ShutYourCakeHorn

Gassers/Say "Cookie" Alt
Forum Clout
73,516
Indirectly, you're making one of the best points here - why has shitting on captain_kamala gone on so long with no defense? Now, for the record, she never cries for help, and she holds her own like a mixed General Patton. But again, if ones off limits, why not all? That's my point here - you have to accept the bashing, even if unjustified or stupid, because if you try to simp for it - lack of a better term here - you only make it worse. I remember when I first came on here, and started to reveal who I really was. You guys thought it was a bit, then that I was crazy, then sad. I rolled with the bashing, it comes with the territory. Everything's been copacetic since. But you have to take your fucking beatings, it's a part of what this place is. That's the only point I'm really trying to make here. I'm not attacking Mewler or Dan, or anyone really. It's just reminding all of us that we're on a website about a dead fucking radio show, laughing at fat idiot (Pat), a mouth breather (Joe), a pickled loser (Nana), and we're trying to make each other laugh with harsh humour. And the shortest tenured lead singer of Genesis is telling you all this. For God's sake, the absurdity of it all is like a Monty Python sketch.

Rayposting
Not to pile on here, as I like Mewler (I like most of you, actually, regardless of differences in opinion/perspectives) but logically, if she's off limits because she's a woman, why isn't Nikki?

These are the questions that keep me up at night. That and intermittent insomnia.

tiny.png


Rayposting
 
Last edited:
G

guest

Guest
Not to pile on here, as I like Mewler (I like most of you, actually, regardless of differences in opinion/perspectives) but logically, if she's off limits because she's a woman, why isn't Nikki?

These are the questions that keep me up at night. That and intermittent insomnia.

[SIZE=10px]Rayposting[/SIZE]


Just because I'm Scottish doesn't mean I prefer their cooking. I've been traveling the world since I was a young man, it was eye opening eating cuisines of other ethnicities. I couldn't go back.

Also, thank you. This is why I stress the need for doubt, it helps in case anyone of a certain, ahem, field, finds me on here.

And no, I've never liked haggis, before you ask.

[SIZE=9px]Rayposting[/SIZE]
 

fenrir

Holding hands in a circle of N-words
Forum Clout
8,246
Just because I'm Scottish doesn't mean I prefer their cooking. I've been traveling the world since I was a young man, it was eye opening eating cuisines of other ethnicities. I couldn't go back.

Also, thank you. This is why I stress the need for doubt, it helps in case anyone of a certain, ahem, field, finds me on here.

And no, I've never liked haggis, before you ask.

Rayposting
I asked the same question.

Most of you know me by now, I don't yell into the void to change your opinions, I don't hate, I'm as easygoing as you'll get. I jest for laughs and not for hate. This is a board of ballbuster's, so... Is nothing off limits? Or if some things are, then why? Who's the judge of that?

Slippery slope, fellas.

Real slippery FAWKIN slope.

(Rayposting isn't as fun as Boomia posting.)
 
G

guest

Guest
I asked the same question.

Most of you know me by now, I don't yell into the void to change your opinions, I don't hate, I'm as easygoing as you'll get. I jest for laughs and not for hate. This is a board of ballbuster's, so... Is nothing off limits? Or if some things are, then why? Who's the judge of that?

Slippery slope, fellas.

Real slippery FAWKIN slope.

[SIZE=9px](Rayposting isn't as fun as Boomia posting.)[/SIZE]

The guy spoke with me for hours, I let him have my dox for clarity on where I come from, he did his sperg out on me and called my kid fat too, despite having previously said making friends here is possible and that some things should be off limits. I don't think it's a bit he's pissy because nobody likes this flack, but he had an opportunity to diffuse it when it was aimed at me and I played along on what I thought was a bit and it turned out not. I like the podcast most of the time, he has some talent for it, but you can't do the hangups, the hate on KF, then bash me for fucking with them, and not be consistent. I'd suggest he show a little humility and be honest rather than abrasive and say the infighting is getting to frequent and let's focus on Pat and the Cumias, but he can't drag his management brain to say that. Quite frankly the fun here is now different, I preferred it before, but I adapt to the current situation, he should too.

[SIZE=9px]Boomia-posting rules![/SIZE]
 

fenrir

Holding hands in a circle of N-words
Forum Clout
8,246
The guy spoke with me for hours, I let him have my dox for clarity on where I come from, he did his sperg out on me and called my kid fat too, despite having previously said making friends here is possible and that some things should be off limits. I don't think it's a bit he's pissy because nobody likes this flack, but he had an opportunity to diffuse it when it was aimed at me and I played along on what I thought was a bit and it turned out not. I like the podcast most of the time, he has some talent for it, but you can't do the hangups, the hate on KF, then bash me for fucking with them, and not be consistent. I'd suggest he show a little humility and be honest rather than abrasive and say the infighting is getting to frequent and let's focus on Pat and the Cumias, but he can't drag his management brain to say that. Quite frankly the fun here is now different, I preferred it before, but I adapt to the current situation, he should too.

Boomia-posting rules!
Much like someone saying they're Ray Wilson and actually BEING Ray Wilson.

Fuck, I better go look in the mirror.

Again you filthy, insane, nigger how are people taking money they paid in welfare people? You run to the welfare system by going to social workers and hospitals. Nobody who I know who took disability is a welfare scag that ever had a "social worker". That's weakness and the definition of a welfare person, but yea make this a point about me saying "I'm richer" than you. I get it you were a fake model, a society girl, mental ill, you're a hero and I'm a zero, without a social worker, welfare benefits, or a rental I live in.
(That's right; I'm going meta with this shit)
 

Stent

Delay, Deny, Diaper
Forum Clout
33,116
Normally when I’m in London I can’t wait to leave. I lived here for a while with Stiltskin and again with Genesis, and I’ve never really enjoyed the city very much, but I’m kind of enjoying it, I have to say. I mean, it’s got ‘life’, it really has. I got quite personal with it which is why, I think, I wanted to put the acoustic narrative on it so you could really hear it. That was the intention. It started out not as that, but half way through the process my friend died. I couldn’t make his funeral because I was living in Europe, so I decided that I really wanted to write something for him, just as a kind of testament to his life. I wrote a song called ‘How Long Is Too Long?’ first of all for him, but it didn’t really say what I wanted to say. It wasn’t until one or two weeks later that the song ‘Song For A Friend’ came out of me, and I really managed to say what I wanted to say that time. So in the end I dedicated the album to him because he was a great guy. He helped me when I was starting out as a musician, and he was a big help to me. I was born in Dumfries, South West Scotland, and I moved to Edinburgh when I was eighteen. I had very little money and I rented a room from James in his apartment, and he basically became just a good friend. When I had my first bit of commercial success with Stiltskin it was about seven years later, and James was genuinely delighted for me - there was never any resentment or jealousy. He was just one of these guys that was genuinely happy about everything when it went well; he had loads of energy, and was always chatting up the women. He went on holiday with his friends in the south of Spain, and they had a trampoline beside the swimming pool, and they were jumping in off it, a bit drunk, a few beers, and he missed the pool and broke his neck. It completely destroyed, and obviously changed his life. He was totally paralysed, and he lived with it for about three years, and then last year he took his own life; he’d had enough. He had an electric wheelchair, and he actually went back to the fishing village where he was born with his helper. He asked her to go and get a jumper from the car, and when she went there, he drove his wheelchair off the harbour wall. It actually didn’t kill him, but it put him back into a coma, and he died soon after that. That was how he took his life, and a totally rock ‘n’ roll way to do it. It’s what I can imagine him doing – he was that kind of guy. To be honest, the whole concept I found quite easy to do. It wasn’t like I was struggling to write something, so the process was actually quite easy but of course - and especially when I was writing that song for James - that was an incredibly emotional experience. I don’t think I’ve ever stood in front of a microphone, tears running down my face as I was singing. I don’t think I’ve ever experienced that before, and that was how it came out. I only sang the song one time, and I didn’t try and change it, I didn’t try and make it better. For the other songs on the album it wasn’t like that, but certainly for the song I wrote for James, it was very emotional. It was fabulous. I mean, I was working for years and years in pubs and bars and shitholes, trying to be a ‘rock star’ effectively, and all of I sudden I join this band and it just comes out of nowhere. It was an absolutely fantastic experience which, you know, I guess it would have been nice if it happened for years and years, but looking back it’s probably good that it didn’t – I’m still alive to tell the story thankfully, but it was great fun! I totally took advantage of it! I never did drugs thankfully - I was never into that, so I didn’t go down that road, but certainly with the women and the alcohol, absolutely, for sure I went for them, and enjoyed it to the full. Guilty! Although I have to say, with Genesis, that wasn’t the case – it was a different experience. Well Phil had decided to quit because his life was becoming unbearable with the press attention and all the rest of it, and they were looking for a replacement and they went to their record company Virgin Records, and said; "do you have any ideas"? So they basically sent them every artist they had on their books, effectively, and Stiltskin were one. Mike [Rutherford, founder, guitarist] and Tony [Banks, founder, keyboardist] were just listening to endless CDs or tapes of singers; everyone from Bryan Ferry, believe it or not, to more obscure artists like me. They listened to my voice and they heard a bit of that [original Genesis front man] Peter Gabriel thing, so they invited me down. I think there was a couple of other guys they invited; the singer from It Bites [presumably, Francis Dunnery], and the singer from Cutting Crew [Nick Van Eede]. There was also another guy who was a school teacher; he wasn't a rock star or anything - he just sounded like Phil. It is a bit, yeah, definitely! My understanding of it is they only invited three of us. I went there and sang half a dozen songs from the Genesis collection – some of the old stuff and some of the new stuff. The first song I sang was ‘No Son Of Mine’, and Tony Banks later said that when he heard me singing that he thought; “yeah, that’s the guy”. So he kind of made up his mind quite quickly, although it took them time before they told me. So that was how it came about; it was just an audition, which to be honest was the same reason I joined Stiltskin; I auditioned for it. I’ve had good success in auditions. It was Tony Smith, who manages Genesis and Phil that called me. I was in my kitchen in my apartment in Edinburgh and I was just about to make a cup of tea, and I can actually see where I was standing when the phone rang - I mean it was literally like that. It was the most bizarre phone call to receive. Of course my first reaction was; “okay, this is a joke”, and then when I put the phone down and sat down, I though; “Wow, that was real!”. Well obviously it was always going to be up against it because it was coming off the back of Phil Collins being the singer, so you’ve always got that kind of disability before you even start. But I think in hindsight, having looking back now, and talking to fans of Genesis and so on, there’s a lot of people who really loved it, and I think a fair assessment on would be that it was probably two thirds of the album was really, really good. Had we done the next one, which we were supposed to do, I think we could have done something quite special. But it never happened, unfortunately. Yeah, I mean it’s bittersweet, I guess. The memories of touring and writing and doing the promotion and everything; it was great fun. It was hard work I have to say, especially touring because the shows were very long and I was singing as Peter, Phil and Me, in the same show. So it was hard work, but a great experience. I’m often asked did I learn anything from it, and I think of course I did. I must have done; certainly writing with the band was good fun, and the way they write was quite interesting; in fact it’s still the way I write now, which is jamming with the guys. It’s very primitive but that’s how they do it and I learned from that. I’ve learned something from everything I’ve done, and I’ve certainly become a better performer because of my time with Genesis, that’s for sure, because I had to be. I had to learn, and you couldn’t be like this cool guy, who stood behind the microphone and didn’t say anything to the audience and just played; you had to actually address he audience because Phil obviously had this huge, larger than life character, and I had to try and kind of incorporate elements of that into my performance. I learned a lot from it for sure. When I signed my contract to join the band, it was for two albums. So it was always the idea to do the first and then go from there. Mike Rutherford changed his mind; that’s exactly what happened. I think he felt he didn’t have the stamina to do another one, and I suppose they’d had such massive success in the eighties, and then all of a sudden you’re faced with going from like, fifteen million albums [sales] to like, two and a half million – which is still a hell of a lot. I think you know, he couldn’t find it in himself to do the next one, which is a great shame, because I think we could have at least recorded it. Even if it hadn’t been very good, we didn’t need to release it, but we should have at least sat down together and continued the process because I think we really became a band after the tour. Exactly; we’d started to get a bit of a feel for each other musically, and even Nir [Zidkyahu] on the drums, and Anthony Drennan on the guitar; everybody was playing an important part in the sound we were creating. It was becoming a bit more rocky, and something was happening. It’s just Mike decided he didn’t want to carry on. I suppose I was a little bit. I mean, I wasn’t really surprised because it seems that now that they’re selling back catalogues and doing all that type of thing, they kind of try to brush it under the carpet a little bit. Even though I believe it was the fourth best-selling album of their history, they seem to kind of try and get rid of it. I don’t understand the politics behind it, but I think it really put them in a bad light actually, certainly with the fans because I see many of the fans when I’m touring and doing my own shows, and it put them in a very bad light. I think it was a silly thing to do. Well they did reissue it actually, but it wasn’t attached to that documentary. They digitally remastered all the albums including ‘Calling All Stations’, and they did it in surround sound. I remember asking; “could you send me a copy of it?”, and they didn’t! It really is kindergarten stuff, but as I say, it puts them in a bad light because they’re Genesis, for Christ's sake - you don’t behave like that! Yes, I think Steve was a lot more pissed about it that I was. He did five albums [with the band], and it was the early years that the fans regard as the best time, so I mean, he was really pissed. They invited him along probably because of the success of this ‘Genesis Revisited’ that he’d been doing, which I joined him on for a few shows. They asked him to be involved, and then they edit him out. It’s like; “if you wanted to just edit the guy out, why bother? Why did you ask him?!” Well actually I didn’t know a lot of the songs. I knew some of them, but a lot of the stuff from the very early years, I wasn’t really listening to that when I was growing up. I started listening to some of it of course when I joined the band, but most of the focus was on the hits they had in the eighties. So I actually was discovering some new music, which was really quite good fun; listening to some of the songs that I never really focused on before. But working with Steve, it was nice. I know when I sang ‘Carpet Crawlers’ with him for the first time, he turned around and he said; “wow, I’ve never heard that song like that since Peter was singing with the band”. So he was really enjoying the experience of it, and I certainly was as well. I have performed that song now a few times, and yes, it is difficult to perform live. I’m trying to find a way to introduce the song without going into too much detail. I kind of brush around the edges a little bit in a live situation before I sing the song, because the first time I did it, it was like; “oh my god, I really have to detach myself from the lyrics while I’m singing it, otherwise I’ll end up with tears in my eyes”. So it is a difficult one, but other songs on the album, it’s been really good fun doing it. It makes a nice section of the show, because my shows are normally about two and a half hours, and there’s a whole load of music in there, but we have this section that’s a bit more acoustic, and it’s really quite a nice part of the show.

tiny

Rayposting
 

fenrir

Holding hands in a circle of N-words
Forum Clout
8,246
Normally when I’m in London I can’t wait to leave. I lived here for a while with Stiltskin and again with Genesis, and I’ve never really enjoyed the city very much, but I’m kind of enjoying it, I have to say. I mean, it’s got ‘life’, it really has. I got quite personal with it which is why, I think, I wanted to put the acoustic narrative on it so you could really hear it. That was the intention. It started out not as that, but half way through the process my friend died. I couldn’t make his funeral because I was living in Europe, so I decided that I really wanted to write something for him, just as a kind of testament to his life. I wrote a song called ‘How Long Is Too Long?’ first of all for him, but it didn’t really say what I wanted to say. It wasn’t until one or two weeks later that the song ‘Song For A Friend’ came out of me, and I really managed to say what I wanted to say that time. So in the end I dedicated the album to him because he was a great guy. He helped me when I was starting out as a musician, and he was a big help to me. I was born in Dumfries, South West Scotland, and I moved to Edinburgh when I was eighteen. I had very little money and I rented a room from James in his apartment, and he basically became just a good friend. When I had my first bit of commercial success with Stiltskin it was about seven years later, and James was genuinely delighted for me - there was never any resentment or jealousy. He was just one of these guys that was genuinely happy about everything when it went well; he had loads of energy, and was always chatting up the women. He went on holiday with his friends in the south of Spain, and they had a trampoline beside the swimming pool, and they were jumping in off it, a bit drunk, a few beers, and he missed the pool and broke his neck. It completely destroyed, and obviously changed his life. He was totally paralysed, and he lived with it for about three years, and then last year he took his own life; he’d had enough. He had an electric wheelchair, and he actually went back to the fishing village where he was born with his helper. He asked her to go and get a jumper from the car, and when she went there, he drove his wheelchair off the harbour wall. It actually didn’t kill him, but it put him back into a coma, and he died soon after that. That was how he took his life, and a totally rock ‘n’ roll way to do it. It’s what I can imagine him doing – he was that kind of guy. To be honest, the whole concept I found quite easy to do. It wasn’t like I was struggling to write something, so the process was actually quite easy but of course - and especially when I was writing that song for James - that was an incredibly emotional experience. I don’t think I’ve ever stood in front of a microphone, tears running down my face as I was singing. I don’t think I’ve ever experienced that before, and that was how it came out. I only sang the song one time, and I didn’t try and change it, I didn’t try and make it better. For the other songs on the album it wasn’t like that, but certainly for the song I wrote for James, it was very emotional. It was fabulous. I mean, I was working for years and years in pubs and bars and shitholes, trying to be a ‘rock star’ effectively, and all of I sudden I join this band and it just comes out of nowhere. It was an absolutely fantastic experience which, you know, I guess it would have been nice if it happened for years and years, but looking back it’s probably good that it didn’t – I’m still alive to tell the story thankfully, but it was great fun! I totally took advantage of it! I never did drugs thankfully - I was never into that, so I didn’t go down that road, but certainly with the women and the alcohol, absolutely, for sure I went for them, and enjoyed it to the full. Guilty! Although I have to say, with Genesis, that wasn’t the case – it was a different experience. Well Phil had decided to quit because his life was becoming unbearable with the press attention and all the rest of it, and they were looking for a replacement and they went to their record company Virgin Records, and said; "do you have any ideas"? So they basically sent them every artist they had on their books, effectively, and Stiltskin were one. Mike [Rutherford, founder, guitarist] and Tony [Banks, founder, keyboardist] were just listening to endless CDs or tapes of singers; everyone from Bryan Ferry, believe it or not, to more obscure artists like me. They listened to my voice and they heard a bit of that [original Genesis front man] Peter Gabriel thing, so they invited me down. I think there was a couple of other guys they invited; the singer from It Bites [presumably, Francis Dunnery], and the singer from Cutting Crew [Nick Van Eede]. There was also another guy who was a school teacher; he wasn't a rock star or anything - he just sounded like Phil. It is a bit, yeah, definitely! My understanding of it is they only invited three of us. I went there and sang half a dozen songs from the Genesis collection – some of the old stuff and some of the new stuff. The first song I sang was ‘No Son Of Mine’, and Tony Banks later said that when he heard me singing that he thought; “yeah, that’s the guy”. So he kind of made up his mind quite quickly, although it took them time before they told me. So that was how it came about; it was just an audition, which to be honest was the same reason I joined Stiltskin; I auditioned for it. I’ve had good success in auditions. It was Tony Smith, who manages Genesis and Phil that called me. I was in my kitchen in my apartment in Edinburgh and I was just about to make a cup of tea, and I can actually see where I was standing when the phone rang - I mean it was literally like that. It was the most bizarre phone call to receive. Of course my first reaction was; “okay, this is a joke”, and then when I put the phone down and sat down, I though; “Wow, that was real!”. Well obviously it was always going to be up against it because it was coming off the back of Phil Collins being the singer, so you’ve always got that kind of disability before you even start. But I think in hindsight, having looking back now, and talking to fans of Genesis and so on, there’s a lot of people who really loved it, and I think a fair assessment on would be that it was probably two thirds of the album was really, really good. Had we done the next one, which we were supposed to do, I think we could have done something quite special. But it never happened, unfortunately. Yeah, I mean it’s bittersweet, I guess. The memories of touring and writing and doing the promotion and everything; it was great fun. It was hard work I have to say, especially touring because the shows were very long and I was singing as Peter, Phil and Me, in the same show. So it was hard work, but a great experience. I’m often asked did I learn anything from it, and I think of course I did. I must have done; certainly writing with the band was good fun, and the way they write was quite interesting; in fact it’s still the way I write now, which is jamming with the guys. It’s very primitive but that’s how they do it and I learned from that. I’ve learned something from everything I’ve done, and I’ve certainly become a better performer because of my time with Genesis, that’s for sure, because I had to be. I had to learn, and you couldn’t be like this cool guy, who stood behind the microphone and didn’t say anything to the audience and just played; you had to actually address he audience because Phil obviously had this huge, larger than life character, and I had to try and kind of incorporate elements of that into my performance. I learned a lot from it for sure. When I signed my contract to join the band, it was for two albums. So it was always the idea to do the first and then go from there. Mike Rutherford changed his mind; that’s exactly what happened. I think he felt he didn’t have the stamina to do another one, and I suppose they’d had such massive success in the eighties, and then all of a sudden you’re faced with going from like, fifteen million albums [sales] to like, two and a half million – which is still a hell of a lot. I think you know, he couldn’t find it in himself to do the next one, which is a great shame, because I think we could have at least recorded it. Even if it hadn’t been very good, we didn’t need to release it, but we should have at least sat down together and continued the process because I think we really became a band after the tour. Exactly; we’d started to get a bit of a feel for each other musically, and even Nir [Zidkyahu] on the drums, and Anthony Drennan on the guitar; everybody was playing an important part in the sound we were creating. It was becoming a bit more rocky, and something was happening. It’s just Mike decided he didn’t want to carry on. I suppose I was a little bit. I mean, I wasn’t really surprised because it seems that now that they’re selling back catalogues and doing all that type of thing, they kind of try to brush it under the carpet a little bit. Even though I believe it was the fourth best-selling album of their history, they seem to kind of try and get rid of it. I don’t understand the politics behind it, but I think it really put them in a bad light actually, certainly with the fans because I see many of the fans when I’m touring and doing my own shows, and it put them in a very bad light. I think it was a silly thing to do. Well they did reissue it actually, but it wasn’t attached to that documentary. They digitally remastered all the albums including ‘Calling All Stations’, and they did it in surround sound. I remember asking; “could you send me a copy of it?”, and they didn’t! It really is kindergarten stuff, but as I say, it puts them in a bad light because they’re Genesis, for Christ's sake - you don’t behave like that! Yes, I think Steve was a lot more pissed about it that I was. He did five albums [with the band], and it was the early years that the fans regard as the best time, so I mean, he was really pissed. They invited him along probably because of the success of this ‘Genesis Revisited’ that he’d been doing, which I joined him on for a few shows. They asked him to be involved, and then they edit him out. It’s like; “if you wanted to just edit the guy out, why bother? Why did you ask him?!” Well actually I didn’t know a lot of the songs. I knew some of them, but a lot of the stuff from the very early years, I wasn’t really listening to that when I was growing up. I started listening to some of it of course when I joined the band, but most of the focus was on the hits they had in the eighties. So I actually was discovering some new music, which was really quite good fun; listening to some of the songs that I never really focused on before. But working with Steve, it was nice. I know when I sang ‘Carpet Crawlers’ with him for the first time, he turned around and he said; “wow, I’ve never heard that song like that since Peter was singing with the band”. So he was really enjoying the experience of it, and I certainly was as well. I have performed that song now a few times, and yes, it is difficult to perform live. I’m trying to find a way to introduce the song without going into too much detail. I kind of brush around the edges a little bit in a live situation before I sing the song, because the first time I did it, it was like; “oh my god, I really have to detach myself from the lyrics while I’m singing it, otherwise I’ll end up with tears in my eyes”. So it is a difficult one, but other songs on the album, it’s been really good fun doing it. It makes a nice section of the show, because my shows are normally about two and a half hours, and there’s a whole load of music in there, but we have this section that’s a bit more acoustic, and it’s really quite a nice part of the show.

tiny

Rayposting
And then he goes right into Layla.

Raypoasting
 

TheGhostOfAbeVigoda

Look, dahlin'; Johnny Ringo.
Forum Clout
123,382
Opster was the first to know. Don't ingratiate yourselves with the pests. This place is full of animals, and once again, we've become the show
Yeah. I don't get what the fuck they thought was going to happen. I don't have a problem with anyone, but I will finally say that these mean posts make me laugh more than them whining about the mean posts do. What is happening here is what this place is to me. It's always been the place you go to say cruel, funny shit to eachother and if you're gonna put yourself out there, take the fucking lumps. That's a point that has been made about Patrick by almost everyone here at least once. Stent's my favorite guy here and that fucker tells me I was a mediocre actor all the time. Do I whine about it? Yeah, but that actually IS part of my bit. I'm not gonna divulge anything at all important, but the secret forum is like 60% just the big boys crying about how what's happening on the boards (what we've always done, just not to them specifically) isn't funny and this place is dying. Like others in the post have said, fucking look at Kamala. People say deeply personal shit to her on a regular basis and she rolls with it. Grow a bellybutton you fucking pussies. This is coming from a guy who tried to meet up and fight a dude IRL from reddit. That was gay and retarded. But I did it ONCE.
 

Dani's Thick Legsters

Why does it vibrate?
Forum Clout
113,667
Yeah. I don't get what the fuck they thought was going to happen. I don't have a problem with anyone, but I will finally say that these mean posts make me laugh more than them whining about the mean posts do. What is happening here is what this place is to me. It's always been the place you go to say cruel, funny shit to eachother and if you're gonna put yourself out there, take the fucking lumps. That's a point that has been made about Patrick by almost everyone here at least once. Stent's my favorite guy here and that fucker tells me I was a mediocre actor all the time. Do I whine about it? Yeah, but that actually IS part of my bit. I'm not gonna divulge anything at all important, but the secret forum is like 60% just the big boys crying about how what's happening on the boards (what we've always done, just not to them specifically) isn't funny and this place is dying. Like others in the post have said, fucking look at Kamala. People say deeply personal shit to her on a regular basis and she rolls with it. Grow a bellybutton you fucking pussies. This is coming from a guy who tried to meet up and fight a dude IRL from reddit. That was gay and retarded. But I did it ONCE.
 

UnPRePared

For the last time, I am NOT James Arness!
Forum Clout
51,850
Indirectly, you're making one of the best points here - why has shitting on captain_kamala gone on so long with no defense? Now, for the record, she never cries for help, and she holds her own like a mixed General Patton. But again, if ones off limits, why not all? That's my point here - you have to accept the bashing, even if unjustified or stupid, because if you try to simp for it - lack of a better term here - you only make it worse. I remember when I first came on here, and started to reveal who I really was. You guys thought it was a bit, then that I was crazy, then sad. I rolled with the bashing, it comes with the territory. Everything's been copacetic since. But you have to take your fucking beatings, it's a part of what this place is. That's the only point I'm really trying to make here. I'm not attacking Mewler or Dan, or anyone really. It's just reminding all of us that we're on a website about a dead fucking radio show, laughing at fat idiot (Pat), a mouth breather (Joe), a pickled loser (Nana), and we're trying to make each other laugh with harsh humour. And the shortest tenured lead singer of Genesis is telling you all this. For God's sake, the absurdity of it all is like a Monty Python sketch.

Rayposting

I'm flattered.
 
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