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TGIF

CumiaPoodle

Brazil sent me a wife with a dick ☺️
B087821C-2B76-475D-B872-8D78504180FA.jpeg
 

1073waaf

The ONLY station that REALLY ROCKS!
Keep in mind, this empty TGIF restaurant was required to provide the following for this performance: 4 double bedded non smoking 5 Star (min.) "brand name" Hotel rooms ( i.e. Holiday Inn, Sheridan, Days Inn etc...) Private and secure dressing area with a clean private rest room, for 60 mins prior to, and 60 mins. following the performance. A case of Bottled water and Red Gatorade. A "big sandwich"..Turkey and Swiss cheese with lettuce and tomato, condiments, utensils, salads or chips. 12 Clean White and Black Towels.


*DJ's SHALL NOT PLAY ANY U2 MUSIC IN THE VENUE FOR 60 MINUTES PRIOR TO, AND 60 MINUTES AFTER THE PERFORMANCE.



PA system:


FOH speakers (per side):

At least 2-18" subwoofer enclosures.
At least 2-12" or 15" midrange enclosures.
At least 1- 2" throat hi frequency horns.

Proper eq and compression. At least one reverb and one delay fx units. At least 16 channel mixing console with 4 pre-fade aux sends for monitor. All necessary cables, stands and mics. For 3 vocals, guitar, 6 drum , Bass, and tracks. 3 DI boxes, 4 wedge type monitors with at least one 12" speaker and one 1.5" HF horn in ea. Proper eq for monitor system as well.

Min. Wattage for power amps: 2000 for subs, and 2000 for mid highs. 1000 for monitor system.

Lighting. 16 par 64, 500 watt parcans (preferrably LED equivalent). Fog and 4 special fx type lighting (intelligent movers, laser, and strobe). With qualified operator. Must black out stage after each song!



Stage gear:

Drums:


White Yamaha custom maple drum kit.
22" kick, 12" mounted Tom, 14" floor Tom, 16" floor Tom. 8 stands, one ea. 5.5" snare in wood and metal. 2 crash and one ride cymbals. Hi hat set up with cymbals . One throne, kick pedal, drum tuning key, and new heads.

Guitar:

One Vox AC30 or AC15 guitar amp for smaller venues. MUST be a newer model with BOTH master and gain stage volumes! One double guitar stand, 2 twenty foot guitar 1/4" guitar cables.

Bass:

One Ampeg SVT bass amp. One SVT 410 bass enclosure, or one Ampeg B115 combo for smaller venues. 2 twenty foot guitar cables, 2 guitar stands.

Input list:

1. Kick drum
2. Snare
3. Hi hat
4. Rack Tom
5. Floor Tom left
6. Floor Tom right
7. Bass guitar
8. Lead guitar
9. Stage right vocal
10. Stage left vocal
11. Center vocal
12. Supplemental track

Basic instruction for FOH:

Supplemental Tracks should be as audible as the guitar out front of house. It is an important part of the mix, and should be heard clearly. Supplemental Track should be potted up before show begins and should remain on throughout. Stage left and right vocals should be clear and audible as well, with a slight reverb wash and tight slap echo on both. Bass should be fat and "low-endie". Guitar is a big part of the bands sound and should be tweaked up during solos. Lead vocal is usually good with an 1/8th note delay, if the sound man isn't familiar with U2's music. The delay should be totally audible, and crisp.

Bands stage volume is always at a fairly low level. All instruments should be amplified through the front of house. Soundman has full control of the band's mix.

Monitors:

Drummer: uses an auxiliary Mixer for his in ear monitors. He shall be supplied a line level aux. mix. and an "ambient mic" on a stand for room audio.


Monitor positions will require:

Drummer: requires Kick, hi hat, snare, ld vox, guitar, and bass.

Guitarist: requires his vocal, supp track, hi hat, kick, bass vocal and lead guitar.

Bass: requires his vocal, supp track, hi hat, kick, guitar vocal, and guitar.

Ld vocalist: requires his vocal, guitar, track and bass vocal.

Stage plot:

Guitar amp and vocal mic stand- stage right
Bass amp and vocal mic stand- stage left
Drums and aux track- center up stage
Lead vocals- center, down stage.



Joseph Cumia
Brother Joe Entertainment Inc.
Cell: 631-495-1073
[email protected]
 
G

guest

Guest
Keep in mind, this empty TGIF restaurant was required to provide the following for this performance: 4 double bedded non smoking 5 Star (min.) "brand name" Hotel rooms ( i.e. Holiday Inn, Sheridan, Days Inn etc...) Private and secure dressing area with a clean private rest room, for 60 mins prior to, and 60 mins. following the performance. A case of Bottled water and Red Gatorade. A "big sandwich"..Turkey and Swiss cheese with lettuce and tomato, condiments, utensils, salads or chips. 12 Clean White and Black Towels.


*DJ's SHALL NOT PLAY ANY U2 MUSIC IN THE VENUE FOR 60 MINUTES PRIOR TO, AND 60 MINUTES AFTER THE PERFORMANCE.



PA system:


FOH speakers (per side):

At least 2-18" subwoofer enclosures.
At least 2-12" or 15" midrange enclosures.
At least 1- 2" throat hi frequency horns.

Proper eq and compression. At least one reverb and one delay fx units. At least 16 channel mixing console with 4 pre-fade aux sends for monitor. All necessary cables, stands and mics. For 3 vocals, guitar, 6 drum , Bass, and tracks. 3 DI boxes, 4 wedge type monitors with at least one 12" speaker and one 1.5" HF horn in ea. Proper eq for monitor system as well.

Min. Wattage for power amps: 2000 for subs, and 2000 for mid highs. 1000 for monitor system.

Lighting. 16 par 64, 500 watt parcans (preferrably LED equivalent). Fog and 4 special fx type lighting (intelligent movers, laser, and strobe). With qualified operator. Must black out stage after each song!



Stage gear:

Drums:


White Yamaha custom maple drum kit.
22" kick, 12" mounted Tom, 14" floor Tom, 16" floor Tom. 8 stands, one ea. 5.5" snare in wood and metal. 2 crash and one ride cymbals. Hi hat set up with cymbals . One throne, kick pedal, drum tuning key, and new heads.

Guitar:

One Vox AC30 or AC15 guitar amp for smaller venues. MUST be a newer model with BOTH master and gain stage volumes! One double guitar stand, 2 twenty foot guitar 1/4" guitar cables.

Bass:

One Ampeg SVT bass amp. One SVT 410 bass enclosure, or one Ampeg B115 combo for smaller venues. 2 twenty foot guitar cables, 2 guitar stands.

Input list:

1. Kick drum
2. Snare
3. Hi hat
4. Rack Tom
5. Floor Tom left
6. Floor Tom right
7. Bass guitar
8. Lead guitar
9. Stage right vocal
10. Stage left vocal
11. Center vocal
12. Supplemental track

Basic instruction for FOH:

Supplemental Tracks should be as audible as the guitar out front of house. It is an important part of the mix, and should be heard clearly. Supplemental Track should be potted up before show begins and should remain on throughout. Stage left and right vocals should be clear and audible as well, with a slight reverb wash and tight slap echo on both. Bass should be fat and "low-endie". Guitar is a big part of the bands sound and should be tweaked up during solos. Lead vocal is usually good with an 1/8th note delay, if the sound man isn't familiar with U2's music. The delay should be totally audible, and crisp.

Bands stage volume is always at a fairly low level. All instruments should be amplified through the front of house. Soundman has full control of the band's mix.

Monitors:

Drummer: uses an auxiliary Mixer for his in ear monitors. He shall be supplied a line level aux. mix. and an "ambient mic" on a stand for room audio.


Monitor positions will require:

Drummer: requires Kick, hi hat, snare, ld vox, guitar, and bass.

Guitarist: requires his vocal, supp track, hi hat, kick, bass vocal and lead guitar.

Bass: requires his vocal, supp track, hi hat, kick, guitar vocal, and guitar.

Ld vocalist: requires his vocal, guitar, track and bass vocal.

Stage plot:

Guitar amp and vocal mic stand- stage right
Bass amp and vocal mic stand- stage left
Drums and aux track- center up stage
Lead vocals- center, down stage.



Joseph Cumia
Brother Joe Entertainment Inc.
Cell: 631-495-1073
[email protected]
A "big sandwich"..Turkey and Swiss cheese with lettuce and tomato, condiments, utensils, salads or chips.

^ This shit always makes me laugh. I love that someone who had the gall to type up something that retarded has to routinely try to explain to bar owners why their fax machine is printing out pictures of him sucking cock, and why they are receiving thousands of messages through their contact form of people accusing him of raping children and paying them to spit in his mouth
 
He's been doing this for like fifty years. He doesn't even have a job at the local guitar center, he doesn't charge for lessons, he's not part of some awful traveling lounge band, he's not playing "Working For The Weekend" at a bar at the shore. He's sitting on a stool in the corner at a local Friday's while disinterested patrons desperately try to ignore his sad pitiful bleatings. After fifty years THIS is what his "guitar wizardry" has gotten him. No one wants to hire him, no one wants to be in a real band with him, he's not even jamming in the garage with his pals. What a meaty-breasted buffoon.
 

McGowan6

What did you think today was going to be?
Who the fuck wants to have a meal whilst some old fat faggot plays covers of songs you've heard 10,000 times already?
In a TGI Fridays too. The only reason I've ever been in them is if we're out shopping and the kids say they're hungry and there isn't a Carluccio's nearby. Imagine just trying to get your children fed and this bald arsehole is singing with his eyes closed and playing someone else's songs very averagely. He really is a waste of space.
 

Snake

In a TGI Fridays too. The only reason I've ever been in them is if we're out shopping and the kids say they're hungry and there isn't a Carluccio's nearby. Imagine just trying to get your children fed and this bald arsehole is singing with his eyes closed and playing someone else's songs very averagely. He really is a waste of space.
I really didn't grasp how fucking bad he was until quarantine last year when he was begging for pennies every Friday night.

How are you in this shit for 30 years and somehow get work when you can't sing or play is beyond me. It's some type of money laundering scheme with these niggers trafficking children into Long Island and the Moose Lodge is apart of it.
 
I really didn't grasp how fucking bad he was until quarantine last year when he was begging for pennies every Friday night.

How are you in this shit for 30 years and somehow get work when you can't sing or play is beyond me. It's some type of money laundering scheme with these niggers trafficking children into Long Island and the Moose Lodge is apart of it.
The HIGHLIGHTS of his "career in music" were: "producing" a parody song video where his brother mugged for the camera in blackface, playing guitar in short-lived U2 and Journey cover bands and jamming with an elderly Blue Oyster Cult. He's not even well-liked or well-respected enough to be asked to open for other local cover bands. He doesn't write his own songs, he doesn't teach, he doesn't even have a tiny local cult following. He is doing EXACTLY what he was doing forty years ago, teaching himself how to play the boring old classic rock chestnuts of his youth. It's the single biggest waste of a life since the career of Sam Roberts.
 
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